Skip to main content

FINAL!

I WOULD LOVE TO ILLUSTRATE MY FINAL PROJECT AS ADDING MORE PICTURES IN MY FLICKERS. I ADDED 18 PICTURES I TOOK RECENTLY AND PASS WHICH ALSO SHOWING MY PERSPECTIVE OF PERCEIVING THIS WORLD. I PUT SOME OF THEM IN THE ALBUM WHICH ALREADY EXISTED, AND I ALSO CREATE NEW ALBUMS FOR THEM.LET ME TELL YOU MORE BELOW. 

 

NEW CREATED ALBUMS:

 

APPARELS:

AS I AM A FASHION DESIGNER, I WOULD LIKE TO PUT SOME PICTURE OF FASHION APPARELS ON MY FLICKER’S POSTS. IN THAT ALBUM, I ADDED TWO PICTURES OF THE COLLABORATION ITEMS I BROUGHT LAST YEAR: “VANS WITH MASTERMIND JAPAN”. AS THE IDEA OF COLLABORATION BETWEEN BRANDS, WHICH BROUGHT UP BY HIROSHI FUJIWARA IS A MILESTONE IN THE FASHION HISTORY. IT IS WORTH TO POSE SOMETHING ABOUT THAT. ALSO, I HAVE SOME 2 PICTURES ABOUT ME WITH THE FASHION OUTFIT. AND THERE IS ONE PICTURE ABOUT ME AND MY GIRLFRIEND WEARING THE TABI BY MAISON MARGIELA. WE PUT THE ROSE BETWEEN THE FINGER CRACKS.

 









DIGITALS:

IN THIS ALBUM, I POST SOME PICTURE I TOOK WITH SOME EFFECTS: THERMAL CAMERA, X-RAY, AND KALEIDOSCOPE. PUTTING SOME EFFECTS ON THE NORMAL PICTURES MAKES MY PHOTOS TOTALLY DIFFERENT THAN THE ORIGINAL. 

 

                                     

    


                                              





ADDED PICTURES: 

 

TO ADDICTION:

A PICTURE OF ALCOHOL, A PICTURE OF COFFEE, AND A PICTURE OF STAKE. THESE ARE THING MAKE ME REALLY ENJOY AND ADDICTED TO. AND THESE ARE ALSO INDISPENSABLE ELEMENTS IN MY ADDICTION ALBUM.





                                                

 

TO UNIQUE:

I ADDED FOUR PICTURES INTO THAT ALBUM. TWO PICTURES ARE ILLUSTRATING THE BROKE AND DARK CORNER IN THE TOWN, WHICH CREATE A GREAT CONTRAST WITH THE MODERN ENVIRONMENT (BROKE <> DECENT). ONE IS ABOUT THE SKY, WHICH IS THE ONE I TOOK AT THE DAWN. THE LAST ONE IS A PLANT. 

 




        

                                                  




MORE:https://flic.kr/ps/3XJ6db

Comments

Post a Comment

Popular posts from this blog

RICK OWENS

RICK OWENS IS AN AMERICAN-BORN DESIGNER LIVING IN PARIS, KNOWN FOR HIS ABSTRACT, YET APPROACHABLE AVANT-GARDE DESIGNS. BORN RICHARD SATURNINO OWENS, HE BEGAN HIS LABEL IN CALIFORNIA IN 1994 AND NOW OVERSEES A VERITABLE FASHION EMPIRE FROM A FIVE-STORY COMPOUND IN PARIS. IF THERE'S ONE CHARACTERISTIC THAT HAS DEFINED HIS LIFE, IT HAS BEEN OWENS' FIERCE INDEPENDENCE. HIS ECCENTRIC BRUTALIST APPROACH IS EVIDENT IN HIS FASHION, HIS FURNITURE, AND EVEN HIS PERSONAL LIFE.                                          RICK'S REPRESENTATIVE ABSTRACT FASHION DESIGN: THE FIRST GENERATION GEOBASKET INITIALLY INTRODUCED IN FALL/WINTER 2006'S "DUSTULATOR" COLLECTION, RICK OWENS DESIGNED THE GEOBASKET BECAUSE HE FELT THAT ATHLETIC SHOES WERE SIMPLY TOO "PROSAIC." PULLING ELEMENTS FROM NIKE, ADIDAS AND PUMA, OWENS WAS ATTEMPTING TO—IN HIS WORDS—CREATE MONSTER TRUCKS FOR HIS FEET. THE RESULT WAS SOMEWHERE BETWEEN MOON BOOT AND HIGH-TOP, FEATURING AN ULTRA-EXTENDED TONG

PROJECT #2

  THE ROLE OF AUTHORSHIP IS THAT PEOPLE COULD TELL “HELL YEAH THAT’S BOWEN’S WORK!” BECAUSE THERE IS MY SOUL, MY STYLE, AND EVEN MY EXPERIENCE IN MY WORK. MY WORK EQUALS TO MY NAME IN SOME ASPECTS. OF COURSE, I CONSIDER MY WORK ORIGINAL, BECAUSE I EXERCISE MY AESTHETIC BY READING A HUGE VARIETY OF WORKS, WHICH ARE IN VERY DIFFERENT KINDS OF STYLES. THEN I  COME UP WITH MY OWN STUFF. WHEN THE AUDIENCE LOOK AT MY WORK, THEY COULD ONLY TELL OH THAT ARTWORK LOOKED A LITTLE BIT LIKE BLABLABLA’S WORK, BUT ALSO A LITTLE BIT LIKE DLADLADLA’S WORK. BUT FUCK NO, IT IS JUST L I K E, THAT STYLE IS BOWEN’S STYLE MY ORIGINAL SHIT.      EVERYONE WHO STARES AT MY WORK FOR MORE THAN 3 MINUTES COULD “TAKE POSSESSION” OF MY WORK AND DERIVE THEIR OWN MEANING FROM IT. I THINK WHEN THE AUDIENCE GET THE BEAUTY OF MY STUFF, AT THAT MOMENT, THEY TAKE POSSESSION OF IT. AND THEY COULD ALSO DERIVE THEIR OWN MEANING FROM IT BECAUSE PEOPLE FROM DIFFERENT EXPERIENCES OF LIFE COULD DEFINITELY DERI VE DIFFERENT MEANIN

PROJECT #3

  “BEETHOVEN’S DEAFNESS DESIGNATES THE LACK WHEREIN RESIDES ALL SIGNIFICATION; IT APPEALS TO A MUSIC THAT IS NOT ABSTRACT OR INWARD, BUT THAT IS ENDOWED, IF ONE MAY PUT IT LIKE THIS, WITH A TANGIBLE INTELLIGIBILITY, WITH THE INTELLIGIBL E AS TANGIBLE.” BARTHES (P. 152)   BEETHOVEN’S MUSIC IS OFTEN SEEN AS A REFLECTION OF HIS INNERMOST THOUGHTS AND FEELINGS. HIS DEAFNESS, HOWEVER, FORCED HIM TO RELY ON HIS OTHER SENSES, PARTICULARLY HIS SENSE OF TOUCH AND VIBRATION, TO CREATE HIS MUSIC. HE WOULD OFTEN PLACE HIS HANDS ON THE PIANO OR ON THE WALLS OF HIS ROOM TO FEEL THE VIBRATIONS OF THE SOUND HE WAS CREATING. THIS ALLOWED HIM TO CREATE MUSIC THAT WAS NOT JUST AUDITORY, BUT THAT WAS ALSO TACTILE AND PHYSICAL.    AS FOR MY PROJECT, I SHARED MY PERSPECTIVE TO ENJOY THE BEAUTY IN OUR LIFE. IT COULD BE USED AS A TOOL HELP AUDIENCE FIND THE BEAUTY IN THEIR LIFE. BASED ON MY UNDERSTANDING, THE ESSENCE OF LIVING IS TRYING TO ENJOY THE PROCESS OF IT, PEOPLE, MAYBE, CAN GET MORE PLEASURE FROM LIV