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GINA ADAMS

SHE IS AN AMAZING  RESEARCH BASED ARTIST WHO LOOKS TO MUSEUM PHOTOGRAPHIC AND ANTHROPOLOGIC ARCHIVES, WHICH THEN SHE CREATE BODIES OF ARTWORK OUT OF THOSE. FOR ONE ATTRACTIVE ARTWORK SHE MADE IS THAT SHE EMBEDDED A VERY OLD PHOTOGRAPH UNDER ENCAUSTIC SO THAT THE AUDIENCE WILL NOT ABLE TO SEE THE IDENTITY OF THE PERSON NOR CAN THEY CREATE STEREOTYPES OF WHO THEY ARE OR THE CULTURE IDENTITY THEY COME FROM.  SHE CREATED A COIL POT, WHICH WAS MADE IN HER STUDIO WITH THE HELP OF HER ANCESTOR. SHE ALSO MENTIONED THAT IT IS VERY NECESSARY FOR HER TO BE ABLE TO CHANGE EACH MEDIUM FOR A BODY OF WORK BASED UPON HER RESEARCH, WHICH ARE BASED ON HER IDEA AND HER INHERITED CULTURE.

                                      

 


SHE ALSO CREATES A BODY OF ARTWORK FROM AN NBA REGULATION BASKETBALL TO TALK ABOUT THE RACISM. IT IS AN ARTWORK INSPIRE THOSE PEOPLE WITH “INFERIOR CULTURE BACKGROUND” WHO GOOD AT SPORT TO BECOME A SUCCESSFUL ATHLETE.



                                            

 

 

ADDITIONALLY, SHE DID SOME ARTWORKS TO HONOR HER ANCESTORS. SHE CREATES A SERIES OF DIGITAL BEADWORK PRISMS BY USING THE COLOR OR BEADWORK FROM THE SMITHSONIAN ARCHIVES AND PLACING IT INTO PATTERNS THAT RESEMBLED 19TH CENTURY PHOTOGRAPHY STUDIO CARPETS IN THE ORIGINAL PHOTOS. 

 

REBEL

 

 

WABA NIQUA

 

ALSO SHE CRATES SOME CERAMIC ARTWORK TO HONOR HER ANCESTORS AS WELL. THESE ARTWORKS ARE EXHIBITED IN THE KOHLER ART INDUSTRY. 

 


                                    

 


RELATE TO THE MALUHAN: “THE YOUTH OF TODAY ARE NOT PERMITTED TO APPROACH THE TRADITIONAL HERITAGE OF MANKIND THROUGH THE DOOR OF THE TECHNOLOGICAL AWARENESS.” ADAMS DO THE THING JUST OPPOSITE TO THIS CLAIM, SHE USES THE IMAGE OF HER ANCESTOR AS AN ELEMENT COMBINE WITH THE NOWADAYS ART ELEMENT TO FINISH HER WORK. THE OUTCOME TURNS THAT THIS PROCESS WORKS GREAT!.

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