THE BOOK THE SHOW THE PRINT

I WOULD LOVE TO POST THIS BLOG OF WRITING ABOUT THE SHOW WE DO IN THE MUDD GALLERY. I REALLY ENJOY APPRECIATING EVERYONE’S WORK ON THE SHOW, THESE ARTWORKS ARE LIKE WINDOWS PROVIDE ME A PATH TO VIEW THIS WORLD THROUGH THOUGH PEOPLE’S PERSPECTIVE. AS I ALWAYS DEFINE MY ARTWORK AS MY PERSPECTIVE OF APPRECIATING THIS WORLD, I LOVE TO SEE THIS WORLD THROUGH OTHERS’, AND THIS SHOW SATISFIED ME A LOT! ONE WORK LET ME IMPRESSED A LOT, IN WHICH THERE ARE SOME BLUE AND WHITE LINES AND OVERALL VAGUE BACK GROUP, I THOUGHT THAT SHOULD BE A CAMERA PROBLEM BUT THAT IS ART. THIS ARTWORK HAS MEET THE AGREEMENT WITH MY POINT THAT SOME TOP ART SOME NOT MADE MY VERY SERIOUS PROCESS, CONVERSELY THEY ARE CREATED BY MISTAKE. OVERALL, IT IS MY GREAT PLEASURE TO SEE EVERYONE’S WORK IN THE GALLERY. FOR ME, I CHOOSE THE TWO-PICTURE NAMED VAGUE FOR THE SHOW, WHICH ARE NOT THE MOST SATISFACTORY PICTURE I TOOK THIS TERM, BUT THE MOST APPROPRIATE ONE FOR THE SHOW. THE BOOK I CREATED IS NAMED DO NOT OPEN BASED ON THE IDEA OF READING PROHIBITION, WHICH I QUITE CONTRARY WITH MY ACTUAL THOUGHT OF: COME SEE MY PROJECT! I GOT THE GUN POINTED AT THE READER AT THE FIRST PAGE TO REAFFIRM THE NAME. IT MEANS YOU OPEN IT YOU DEAD, AND ALSO, I GOT THE COFFIN AT THE LAST PAGE. I DO ENJOY THE PROCESS OF CATEGORIZE THE PICTURE AND PUT THEM WITH AN IDEA TO CREATE A BOOK.

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PROJECT #3

“BEETHOVEN’S DEAFNESS DESIGNATES THE LACK WHEREIN RESIDES ALL SIGNIFICATION; IT APPEALS TO A MUSIC THAT IS NOT ABSTRACT OR INWARD, BUT THAT IS ENDOWED, IF ONE MAY PUT IT LIKE THIS, WITH A TANGIBLE INTELLIGIBILITY, WITH THE INTELLIGIBL E AS TANGIBLE.” BARTHES (P. 152) BEETHOVEN’S MUSIC IS OFTEN SEEN AS A REFLECTION OF HIS INNERMOST THOUGHTS AND FEELINGS. HIS DEAFNESS, HOWEVER, FORCED HIM TO RELY ON HIS OTHER SENSES, PARTICULARLY HIS SENSE OF TOUCH AND VIBRATION, TO CREATE HIS MUSIC. HE WOULD OFTEN PLACE HIS HANDS ON THE PIANO OR ON THE WALLS OF HIS ROOM TO FEEL THE VIBRATIONS OF THE SOUND HE WAS CREATING. THIS ALLOWED HIM TO CREATE MUSIC THAT WAS NOT JUST AUDITORY, BUT THAT WAS ALSO TACTILE AND PHYSICAL. AS FOR MY PROJECT, I SHARED MY PERSPECTIVE TO ENJOY THE BEAUTY IN OUR LIFE. IT COULD BE USED AS A TOOL HELP AUDIENCE FIND THE BEAUTY IN THEIR LIFE. BASED ON MY UNDERSTANDING, THE ESSENCE OF LIVING IS TRYING TO ENJOY THE PROCESS OF IT, PEOPLE, MAYBE, CAN GET MORE PLEASURE FROM LIV

RICK OWENS

RICK OWENS IS AN AMERICAN-BORN DESIGNER LIVING IN PARIS, KNOWN FOR HIS ABSTRACT, YET APPROACHABLE AVANT-GARDE DESIGNS. BORN RICHARD SATURNINO OWENS, HE BEGAN HIS LABEL IN CALIFORNIA IN 1994 AND NOW OVERSEES A VERITABLE FASHION EMPIRE FROM A FIVE-STORY COMPOUND IN PARIS. IF THERE'S ONE CHARACTERISTIC THAT HAS DEFINED HIS LIFE, IT HAS BEEN OWENS' FIERCE INDEPENDENCE. HIS ECCENTRIC BRUTALIST APPROACH IS EVIDENT IN HIS FASHION, HIS FURNITURE, AND EVEN HIS PERSONAL LIFE. RICK'S REPRESENTATIVE ABSTRACT FASHION DESIGN: THE FIRST GENERATION GEOBASKET INITIALLY INTRODUCED IN FALL/WINTER 2006'S "DUSTULATOR" COLLECTION, RICK OWENS DESIGNED THE GEOBASKET BECAUSE HE FELT THAT ATHLETIC SHOES WERE SIMPLY TOO "PROSAIC." PULLING ELEMENTS FROM NIKE, ADIDAS AND PUMA, OWENS WAS ATTEMPTING TO—IN HIS WORDS—CREATE MONSTER TRUCKS FOR HIS FEET. THE RESULT WAS SOMEWHERE BETWEEN MOON BOOT AND HIGH-TOP, FEATURING AN ULTRA-EXTENDED TONG

PROJECT #2

THE ROLE OF AUTHORSHIP IS THAT PEOPLE COULD TELL “HELL YEAH THAT’S BOWEN’S WORK!” BECAUSE THERE IS MY SOUL, MY STYLE, AND EVEN MY EXPERIENCE IN MY WORK. MY WORK EQUALS TO MY NAME IN SOME ASPECTS. OF COURSE, I CONSIDER MY WORK ORIGINAL, BECAUSE I EXERCISE MY AESTHETIC BY READING A HUGE VARIETY OF WORKS, WHICH ARE IN VERY DIFFERENT KINDS OF STYLES. THEN I COME UP WITH MY OWN STUFF. WHEN THE AUDIENCE LOOK AT MY WORK, THEY COULD ONLY TELL OH THAT ARTWORK LOOKED A LITTLE BIT LIKE BLABLABLA’S WORK, BUT ALSO A LITTLE BIT LIKE DLADLADLA’S WORK. BUT FUCK NO, IT IS JUST L I K E, THAT STYLE IS BOWEN’S STYLE MY ORIGINAL SHIT. EVERYONE WHO STARES AT MY WORK FOR MORE THAN 3 MINUTES COULD “TAKE POSSESSION” OF MY WORK AND DERIVE THEIR OWN MEANING FROM IT. I THINK WHEN THE AUDIENCE GET THE BEAUTY OF MY STUFF, AT THAT MOMENT, THEY TAKE POSSESSION OF IT. AND THEY COULD ALSO DERIVE THEIR OWN MEANING FROM IT BECAUSE PEOPLE FROM DIFFERENT EXPERIENCES OF LIFE COULD DEFINITELY DERI VE DIFFERENT MEANIN

DECO

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